KCAW is proud to collaborate with Curator Bolanle Tajudeen for the fourth Love Kensington + Chelsea mural located on large hoarding on Freston Road, W10.

In response to the Black Lives Matter movement and as part of our efforts to redress the systemic underrepresentation and undersupport of black womxn artists, Tajudeen – tutor of Art in the Age of Black Girl Magic, local resident and founder of Black Blossoms School of Art, a learning platform decolonising art education – has curated a collaborative mural by Linett Kamala and Azarra Amoy.


The artists have created three designs based on key topics relating to: local heritage and history, and social justice issues of female empowerment and racial representation. The public and local residents were invited to vote for their preferred design. 


The winning concept is an afrofuturist mural using the idea of Frestonian postal stamps to honour the legacy of Paulette Wilson, an activist who fought her illegal deportation to Jamaica, bringing the Windrush Generation scandal to the media and public attention; and Belly Mujinga, who died from COVID-19 after being spat at whilst working for British Railways. Security cameras are further to the right highlighting the hyper surveillance of young Black British men and scattered around the mural are visa stamps proclaiming Black Futures.

Love Kensington + Chelsea Street Art project is an ongoing public art initiative that celebrates the histories of the borough with murals on construction hoardings by local artists, chosen by public vote. ​WE ARE ONE FAMILY #BLM Mural is created with support by the Royal Borough of Kensington and Chelsea’s Black History Month Grants Scheme.


See our previous murals here.




The collective feeling of desolation the Black British community endures when an individual's life is cut short because of systemic racism is harrowing. This heartache was brought to the world’s stage in the summer of 2020 after the murder of George Floyd went viral. Individuals and businesses were forced to look at themselves and analyse the ways in which they have contributed implicitly or explicitly to globalised behaviours of anti-blackness. In Britain, the Black community felt enraged, despaired and betrayed when they took to the streets to justly demand justice for Black life. Enraged by decades of continuous surveillance and over policing of the community. Despaired by the COVID-19 outcomes for ethnic minorities and betrayed every time a member of the Windrush community stood forward to tell their story of being treated like they did not contribute their culture and intellectual knowledge into a system which never valued their offerings but still capitalised on their labour. Analysing history it would not be wrong for Black Britons to disengage and refuse to no longer appeal to the moral sensibilities of those with power yet there is agonising hope things will change. This hope was reignited when many people from different quarters  stood in solidarity to echo “Black Lives Matter.”

In October 1977 when faced with the possibility of eviction, tenants and squatters living on Freston Road understood how the power of ‘community’ charged with a kindred spirit would give them the freedom they desired. By using a legal loophole and applying to the United Nations to be recognised as an  independent state from Greater London, the Free and Independent State of Frestonia was born,  boldly declaring to the whole world “WE ARE ONE FAMILY.” Visual symbols  such as visas, postal stamps and a centred sunflower on a green flag were designed, giving the inhabitants and visitors  signifiers of the new territory.


Artists; Azarra Amoy and Linett Kamala are highlighting the legacy of Frestonia by reimagining what a safe state for Black folks to have flourishing futures would look like. Stipulating “reparations not repatriations” on visa stamps and using calligraffiti to highlight words from protest placards from our summer of racial dissent. Images of unsung heroines and heros from the Black community living in Britain are placed on each mural focusing on different parts of British history.


What both artists hope to achieve is for  communities living and working  around the Freston Road area to stand in solidarity with the Black community  as they believe the Frestonians who all changed their surname so they could have some reprieve from unfair regeneration plans  would have fought alongside the Black community,  as when anything is against the wishes of the people we must come together in unity, remembering and recognising “WE ARE ONE FAMILY” & “ALL BLACK LIVES MATTER”


Bolanle Tajudeen, Curator


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